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It also acts like a tease—just how scandalous was this sexpot's life anyways?—in a way that may prevent the movie from shrinking Monroe the myth back down to Norma Jean [de la sorte]."[102]
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[33] Hardcore guitarists sometimes play solos, octave leads and grooves, as well as tapping into the various feedback and harmonic noises available to them. There are generally fewer guitar solos in hardcore than in mainstream rock, parce que solos were viewed as representing the "excess and superficiality" of mainstream marchand rock.[26]
Reviewing the cinématographe following its world originel at Venice, where it received a 14-temps catégorie ovation, reducing en même temps que Armas to tears,[74][10] Catherine Bray of Maîtrise praised Dominik's visual apparence and à l’égard de Armas' prouesse, fin found the cinéma failed at demystifying Monroe's life, writing: "The Image that this cinématographe paints of Monroe depicts a little girl lost, who repeatedly calls her lovers 'Daddy' and reacts to almost every new setback with the same tremulously teary ingénue's pout."[75] Vanity Fair's Richard Lawson found it a "fascinating dilemme to the traditional biopic", commending the unconventional storytelling, Administration, and à l’égard de Armas' performance.